VAM 189 | Interview with Paul Castro Jr., Part 2
Welcome to episode 189 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome back to the second and final part of my interview with the talented and ambitious Paul Castro Jr! You may have heard Paul’s voice acting in games like NEO: The World Ends With You, Legends of Runeterra, and Lost Judgement, the Kaito Files. He’s also performed in anime titles such as Vampire in the Garden, High-Rise Invasion, and the award winning film, Belle. In addition, Paul has worked extensively in theater and film both as an actor and behind the scenes. He considers himself a storyteller first and foremost and his breadth of experience is a testament to his commitment to telling great stories.
In the previous episode, Paul explained how he got started as an actor. While he had always been a fan of games and anime when he was young, it never occurred to him that one could pursue voice acting as a legitimate career. In college, he joined an improv theater group, fell in love with acting, and realized he needed to transfer to a different school in order to pursue acting professionally. He auditioned for and was accepted into NYU’s prestigious Tisch School of the Arts where he got his BFA degree in acting from the Meisner studio. He took advantage of every storytelling opportunity that came his way, whether it was acting, writing, producing, or even just assisting other actors! All of that hard work and dedication paid off and he’s now living in Los Angeles pursuing his voice acting dreams!
As we continue our discussion, I ask Paul what inspired him to become a performer in the first place. His response is extremely honest. He admits that he felt the need to get attention when he was young which he would do by acting out, being obnoxious, or by being the class clown. What motivated his need for attention was the fact that deep down, he was incredibly sensitive. He could tell that this sort of emotional sensitivity would not be rewarded in the environment he grew up in. He was therefore pleasantly surprised to discover that vulnerability and emotional honesty were valued and celebrated in the field of acting!
Inspired by Paul’s candor, I then share some of the challenges that I faced as a young, emotionally sensitive boy, and how acting helped me unlock and explore different parts of my psyche. We then discuss how much storytelling meant to us as children and how we both now honor and appreciate being able to work on stories that people take comfort in and want to experience over and over again. Paul also talks about how his time in the theater affected him, both as an actor, and as an audience member watching Broadway shows. These were transformative experiences that deepened his appreciation for, and solidified his obsession with, the craft of acting. After that, we wrap up our time together with Paul’s advice for the aspiring voice actor and how important he feels it is to surround yourself with inspiring content and people who uplift you. It’s a very personal and emotionally intimate interview, and I’m so happy that I get to share it with you!
VAM 188 | Interview with Paul Castro Jr., Part 1
Welcome to episode 188 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Regular listeners to the podcast may recognize the name and voice of my next guest from the lovely comments that he called in and left for my 10th Anniversary podcast episode. I’m talking about the talented, ambitious, and industrious Paul Castro Jr.! Paul has extensive experience performing on stage, on camera, and in front of the microphone! You can hear his voice acting work in the Square Enix game: NEO: The World Ends With You where he plays the lead character, Rindo Kanade. He also plays the character of Dragon in the award winning anime film, Belle. If that wasn’t enough, imagine my surprise to discover that Paul worked with me on the game Lost Judgement: The Kaito Files, where I played Kaito and Paul played Jun Sadamoto, a young man who believes he’s actually Kaito’s son! It was a true pleasure to hear Paul’s voice in our scenes together!
In the first part of this interview, Paul shares with us how he got started as an actor. When Paul was young and growing up in New York and New Jersey, he had no idea what acting even was! While he was a fan of animation and video games, he never gave much thought to how actors might be providing the voices for the characters that he watched and interacted with. He just enjoyed the content for what it was. It wasn’t until he was in college and trying to decide what he wanted to pursue as a career, that he stumbled across an improvisational comedy group and decided to give it a try. He was surprised to discover that not only did he enjoy acting more than any other subject he had tried in college, but that acting was a legitimate career choice that some of his fellow comedy troupe members were pursuing.
Paul made up his mind to commit fully to pursuing an acting career as quickly as possible. He decided to leave the college he had been attending, Monmouth University, and audition for NYU’s conservatory acting program known as the Tisch School of the Arts. He was accepted into the Meisner Studio and completed a Bachelor of Fine Arts Degree there. During his time in school, he took every opportunity he could to develop his acting skills and to expand his understanding of the entertainment industry. He worked both in front of and behind the camera in film and TV productions. He assisted established professional actors with their film shoots and with their self-tape auditions. He read every book that he could about managing the business aspects of an acting career, and he jumped at every opportunity that presented itself so that he could learn as much as possible, as fast as possible. It’s truly impressive how diligent and tireless he was!
As much as Paul enjoyed acting on stage and on camera, he had a special passion for animation and video games. His love of those mediums inspired him to reach out to his professors to try and discover what it would take to work as a professional voice actor. They not only gave him great advice, but some of them mentored him as well. What’s funny is that a number of his mentors were actors and producers that I worked with when I was voice acting in New York City back in the late 1990s! It was around the time that Paul was working with these shared colleagues of ours that he started listening to my Voice Acting Mastery podcast, which he credits for helping him better understand what it would take to succeed as a professional voice actor. I’m so glad my podcast episodes could help him on his journey, and I hope that by sharing his story with my other listeners, all of you can be inspired to take what you learn here, put it into action, and follow Paul’s example!
VAM 187 | Interview with Lucien Dodge, Part 2
Welcome to episode 187 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome back to the second and final part of my interview with voice actor and voice director, Lucien Dodge! You may know Lucien’s voice acting work from anime including Sailor Moon, Gundam: The Origin, Mobile Suit Gundam: Hathaway, Sword Art Online, Demon Slayer, and Fate/Zero! He’s also worked on games such as Dust: An Elysian Tail, League of Legends, Mad Max, and Smite. Lucien also voice directed me in the dub of the anime Yashahime: Princess Half-Demon where I played the main antagonist, Kirinmaru. We had such a great time working together that I was eager to get him on the podcast to talk about his own voice acting experiences and his approach to the art form.
In this episode, Lucien describes what inspired him to become a voice actor and how therapeutic the process of acting was for him, especially early in his career. He goes on to talk in detail about the Meisner Acting Technique and how foundational it was in helping him develop his own acting skills to a professionally competitive level. We then discuss how a technique like Meisner applies to playing cartoony characters and how much traditional acting training supports the more wacky or zany character voice acting you might hear in some animated shows. While an audience might initially be struck by the voice qualities of a certain character, such as Daffy Duck’s lisp, or Bug’s Bunny’s Brooklyn accent, what makes those characters compelling beyond those vocal pyrotechnics is the emotional authenticity of the character. That genuine emotional believability can only be achieved through top-notch acting skills.
Lucien is obsessed with finding that emotional authenticity in all of his work, and I could feel his sensitivity to sub-text when we were working on the dub of Yashahime. That’s why I was so glad to get him on the podcast, so he could share with my listeners how important it is to develop that nuanced understanding of human emotions and what it takes to be able to portray them believably in an acting situation. I’m not the only one who noticed this quality in Lucien. The famous voice actor, Corey Burton, also could see Lucien’s passion for acting and they developed a friendship over the years. Lucien learned so much from Corey about having a professional mindset, especially when Corey invited Lucien to watch a recording session for the animated show, the Boondocks. By observing some of the most talented voice actors in the business, Lucien truly understood just how competitive he needed to be in order to succeed as a voice actor in Los Angeles.
As this episode draws to a close, we wrap up our discussion with Lucien’s advice for the aspiring voice actor. He emphasizes how important it is for your own mental health to realize what aspects of your career are in your control, and what aspects of the voice acting world are not. If you can stay focused on developing the abilities you need to further your career, and let go of the aspects of the voice over industry that are beyond your power to influence, it can help you pursue your voice acting goals with less stress and more ease. Lucien also credits my interview with Jack Angel as helping him develop this more positive mindset.
It’s a great conclusion to our talk together, and I’m excited to share it with you.
VAM 186 | Interview with Lucien Dodge, Part 1
Welcome to episode 186 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’m very pleased to share with you the first part of my interview with voice actor and voice director, Lucien Dodge! You may be familiar with Lucien’s voice acting work in anime including Zoisite in the Viz Media dub of Sailor Moon, Amuro Ray in Gundam: The Origin and Mobile Suit Gundam: Hathaway, Keita in Sword Art Online, Akaza and Kazumi in Demon Slayer, and Waver Velvet in Fate/Zero! In games he’s played Dust, in Dust: An Elysian Tail, Mega Gnar in League of Legends, Buzzard in Mad Max, and Dr. Vanus in Smite. Lucien also voice directed me in the dub of the anime Yashahime: Princess Half-Demon where I played the main antagonist, Kirinmaru. I had such a great time working with Lucien on that dub that I thought it would be a good idea to have him on the podcast to talk about his own voice acting experiences and his approach to the art form.
Lucien and I share a lot of similarities when it comes to our voice acting journeys. We both have a great appreciation for anime, we both were incredibly shy when we were young, and we both became fascinated with what it took to be able to share the most authentic and believable acting performances with our audiences. Lucien grew up in Ithaca, NY where he went to a private school with very small classes. While his school didn’t have an acting program per se, they did encourage all of their students to participate in a play every year. You might think that since Lucien was so shy, he would not have any interest in participating in the school play. It turns out that the opposite was actually the case. Lucien found that playing a character gave him permission to be more courageous and assertive than he would be if he had to perform in public as himself. I had a similar experience when I was young! Acting as a character gave me an opportunity to build up my own courage and confidence without feeling like I was making myself personally vulnerable to criticism.
Fortunately, Lucien’s mother noticed how much acting seemed to be helping him overcome his shyness. She encouraged him to pursue more acting opportunities, and helped him to attend acting classes based on Sanford Meisner’s techniques. She also helped him attend a convention for radio dramas known as the National Audio Theater Festival. But it wasn’t until a family friend gave Lucien the video box set of the anime series, The Slayers, as a birthday present, that Lucien discovered his love for anime. Coincidentally, that was the first anime show that I ever worked on! After Lucien saw it, he was hooked. For his next birthday, his father gave him a microphone and a small 4 track cassette recorder so Lucien could start practicing his voice over skills. Lucien became obsessed with trying out different kinds of voice acting with his new tools. Fun fact: I also had a 4 track recorder when I was young and actually recorded some of my earliest attempts at voice acting on it!
After high school, Lucien decided to pursue voice acting as a career. He spent a year in college, but quickly realized that it didn’t serve his purposes very well, and decided to dive into the voice over industry in New York City. I too began my voice acting career in New York. Lucien and I even got our first New York anime dubbing jobs from the same studio, TAJ Productions where I got my start on The Slayers and he first worked on an episode of Pokemon. Lucien faced many challenges pursuing voice acting in the Big Apple, and during his eventual move out to Los Angeles, but I’ll let him tell you all about his adventures himself!
VAM 185 | Interview with JP Karliak, Part 2
Welcome to episode 185 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with the fabulous JP Karliak! You may be familiar with his extensive work in animation including Boss Baby: Back in Action, Spidey and His Amazing Friends, TrollsTopia, Dogs in Space, and the New Looney Toons! In games, he’s worked on Skylanders, Crash Bandicoot 4, and Marvel Avengers Academy. You can also hear him in anime shows like Fate/Grand Order the Movie and Neon Genesis Evangelion. He’s also the founder of Queer Vox, a not-for-profit training academy and community for LGBTQIA+ voice over talent, and co-founder of the non-partisan voter action group, NerdsVote.
In the previous episode, JP shared with us how he broke into voice acting. After seeing Disney’s animated film Aladdin as a child, he was convinced that only celebrities were cast to play animated characters. He pursued a more traditional acting career on stage and screen, but was pleasantly surprised to discover in college that his classmates appreciated his voice acting in their student film projects. One of his professors at the University of Southern California suggested he start taking voice over classes with professionals in the Los Angeles area, and JP quickly realized that he had found his niche!
In this episode, JP tells us what inspired him to become an actor in the first place. It turns out that JP had some very personal reasons why he found acting appealing. As a queer kid growing up in a small town culture that didn’t always approve of him, he had to spend a lot of time pretending that he was actually a straight person in order to fit in. Acting as characters in stories gave him the opportunity to play pretend without being self-conscious or worrying about satisfying other people’s cultural expectations. It was especially exciting for him if the character he was portraying was a powerful villain like his childhood favorite, Skeletor from He-Man and the Masters of the Universe! Inspired by his story, I then share with JP my personal reasons for pursuing acting, including the fact that I didn’t always fit in with the macho male stereotype that I felt pressured to adopt as a young boy. I’m sure JP and I aren’t the only ones who felt drawn to acting because it helped us explore and develop our emotional lives in a healthy way.
We then talk about QueerVox, the academy and community for queer actors that JP helped found with his colleague, and earlier guest on the podcast, Sarah Elmaleh. JP explains the inspiration for starting QueerVox, and how it has less to do with whether or not someone has the acting skills to be able to play someone other than their sexuality or gender identity, and more about making sure that queer actors benefit financially from the rise of queer characters and queer stories in entertainment. We also discuss how the industry keeps moving from a broadcasting paradigm where producers are trying to appeal to the broadest audience possible, to a narrowcasting paradigm where a show’s authenticity is important for securing a smaller, but more loyal fanbase. JP then talks about the different services that QueerVox offers both to aspiring talent, and to producers and casting directors who are looking to hire them! You can find out more about all of it at QueerVox.org.
After that, JP and I end our discussion with his advice to the aspiring voice actor and how he encourages all of his students to simply relax around their fellow industry professionals. It helps if you have interests and hobbies outside of voice over that you can share with your colleagues. That’s something that Dee Bradley Baker also mentioned in my interview with him back in episodes 146 and 147. Not only can sharing outside interests help you build a natural rapport with other voice over people, but it can also help replenish your own artistic well of creativity. Exploring this topic is a wonderful way to end our discussion and I’m happy I get to share JP’s insights with you!
VAM 184 | Interview with JP Karliak, Part 1
Welcome to episode 184 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’m excited to share with you the first part of my interview with the incredibly talented, JP Karliak! He’s played characters in numerous animated shows including Boss Baby in The Boss Baby: Back in Action, the Green Goblin in Spidey and His Amazing Friends, Dante Crescendo in TrollsTopia, Happy, Bucky, and Luke in Dogs in Space and Wiley-E Coyote in the New Looney Toons. In games he’s played N. Tropy in Crash Bandicoot 4: It’s About Time, Wolfgang in Skylanders: Imaginators, and Vision in Marvel Avengers Academy. In anime he’s played Miruchi in Kuroko’s Basketball, Gawain in Fate/Grand Order the Movie, and Fuyutski in Neon Genesis Evangelion. He’s also the founder of Queer Vox a not-for-profit training academy and community for LGBTQIA+ voiceover actors and co-founder of the non-partisan voter action group, NerdsVote, which encourages all pop culture fans to get involved in American democracy. With all this going on, I’m not sure when JP finds time to sleep!
In the first part of our talk together, he tells me how he broke into the world of voice acting. While JP enjoyed watching Loony Toons when he was a kid, and had a special love for the character of Skeletor in the original He-Man animated series, he never thought that he would be able to voice those kinds of characters himself. He was familiar with the Disney animated film, Aladdin, where Robin Williams played the Genie character, and after seeing that film, JP assumed that one had to be a famous movie star in order to work on animated shows so he never thought it was a viable career path for himself. Instead, he decided to pursue more traditional forms of acting on stage and in front of the camera. He started college in the D.C. area where he focused on studying acting, but eventually transferred to the University of Southern California to finish his degree and pursue acting in the Los Angeles area.
At USC, a few of his classmates asked him to provide voices for some of their film and animation projects. He was happy to do so and was pleasantly surprised when he got positive feedback on his performances. He was encouraged to seek out Kelly Ward, a professor at USC who worked extensively as a director on many animated shows. Kelly suggested that JP take classes with working professionals in the LA voice over industry including voice actor Bob Bergen and voice director Ginny McSwain. While he did pursue some on-camera work in LA at the beginning of his career, JP quickly began to focus on voice over as the area where he felt most comfortable.
After discussing the origins of JP’s career, we then take the time to go over each stage of his voice acting journey in very close detail. I think it’s valuable to hear all the different small steps that someone took to reach their current level of success. When talking about someone’s experiences after the fact, it can often seem like the end result was inevitable. However, when you go back in time and look through that person’s perspective from moment to moment, you begin to realize that they were just trying to do the best they could,with the resources they had at the time, as well as the options in front of them! No outcome is guaranteed, and often the path forward can seem confusing or unclear when you’re trying to navigate it in the present moment. Hopefully hearing the challenges that JP faced and overcame as he was negotiating his career path will help inspire you to persevere in your own voice acting journey!
VAM 183 | Interview with Larry Reiss, Part 2
Welcome to episode 183 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with booth director and voice over agent, Larry Reiss. Larry works at my voice over agency, Arlene Thornton & Associates. Over the years, I’ve come to rely on his keen insight and his helpful feedback whenever I audition for projects. I wanted to bring Larry on the podcast to help my listeners understand what an agent is looking for in a voice actor, how to approach an agent for representation, and how best to collaborate with agents as you move forward in your career.
In the previous episode, Larry explained how he got started as an agent. He went to school for audio engineering, but quickly parlayed his experience into recording students in voice over classes around Los Angeles. He then worked for a time at a prestigious casting director’s office, before eventually acquiring his position at Arlene Thornton & Associates.
In this episode, Larry talks in more detail about what he found so attractive about the world of voice over. I also ask him some important questions about agents including: What do actors need to know about approaching agents? What impresses him when he’s listening to an actor’s demo? And what are some of the biggest mistakes actors make when looking for agency representation? Here’s a hint: too many actors submit demos to agents that are not truly competitive because either the acting or the audio production is not good enough. Or sometimes both! Remember, you never get a second chance to make a first impression!
During our discussion, we even take some time to have Larry explain what he sees as my strong suits as an actor, so you can hear how he makes decisions about which auditions to send me when projects come into the agency. Listen carefully and you’ll get a much better understanding of how agents approach collaborating with their acting clients! Talking with Larry is invaluable and I’m eager to share more of his advice and wisdom with you!
VAM 182 | Interview with Larry Reiss, Part 1
Welcome to episode 182 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’ve got a very special treat for my listeners today! This is the first part of my interview with booth director and voice over agent, Larry Reiss! Larry works at my voice over agency, Arlene Thornton & Associates. Arlene herself is the founder and president of the agency. Larry works as her employee where he wears many hats! I’ve worked with Larry primarily in his role as booth director. Back before the Covid-19 pandemic, when I was called into my agent’s office to audition for voice over projects, Larry would often be the one recording me and directing me in the booth. I came to rely on his keen insight and his helpful feedback whenever I came in to audition. These days, voice actors are expected to record from home and direct themselves. This is not an ideal situation. It can be very difficult to effectively direct or critique your own acting. It is far easier and more productive to have someone whose feedback and direction you trust, and I always trust Larry to help me bring out my best when I’m acting!
Larry isn’t just a booth director, however. He also helps manage the mountain of e-mails, phone calls, and auditions that come into the agency at all hours of the day and night! It’s quite a challenge to coordinate all of that communication between casting directors, producers, and the agency’s acting clients! In the midst it all, Larry still finds time to give feedback on actors’ auditions and to promote his acting clients to producers who are looking for talented people to work on their projects! I thought Larry would be a great person to interview so my listeners could get a better sense of what an agent does, what their workday is like, and how an actor can best collaborate with an agent in order to further their career!
We begin this interview by talking about how Larry got started as an agent. It turns out, he and I both joined Arlene’s agency around the same time in 2003! Initially, Larry had studied to be a recording engineer and was planning to get into music production. While he was exploring his employment options, he discovered that there were many studios that needed engineers to help record voice over classes which were often held in the evenings. He became interested in how voice actors could bring such nuanced emotion to their performances. He eventually had the opportunity to work at a casting director’s office in Los Angeles where he spent most of his time helping to cast commercial voice over projects. He and I actually first met at that casting director’s office, where I took one of my first voice over classes shortly after I arrived in Los Angeles at the end of 2001. Imagine my surprise when I signed with my agency two years later and discovered that Larry had been hired there as an agent! It was great to see a familiar face and to get to work with such a talented and knowledgeable booth director!
Larry is not only a wealth of information and experience, but he’s skilled at articulating his insights as well. I’m very grateful that he was willing to spend so much time talking with me. If you’ve ever wanted to understand how an agent thinks and what they’re looking for in the talent they represent, listening to Larry is your chance!