Welcome to episode 90 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I’d like to address a common misconception that I find many people have about the nature of acting.

Sometimes I feel like acting is one of the most misunderstood of the performing arts, mostly because it seems so invisible when someone is doing it well. A truly believable acting performance can seem so transparent and effortless that it feels as though nothing is really going on and the actor is just naturally self-expressing. The illusion of transparency applies doubly to voice acting, where even the actor giving the performance is unseen by the audience.

This invisibility can lead many listeners to infer that either the actor giving the performance is just naturally talented, or that voice acting is something that anyone can do without much effort. To some it seems like the actor is doing something unattainably magical and this means that acting must require some sort of mysterious inborn ability. To others it sounds like the actor is just talking, and since talking to other people is something we all tend to do in our everyday lives, how artistically demanding could voice acting truly be? So which is correct?

Does it take natural talent to become a voice actor, or can anyone just step up to the mic and talk their way to fame and fortune?

Let’s find out!

Download Voice Acting Mastery Episode #90 Here (MP3)

Welcome to episode 74 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I want to expand on a subject I addressed in my previous episode, #73. In it, one of my listeners asked about how an aspiring voice actor who may be a fan should approach an established professional they admire. Trying to answer this question made me realize that I needed to spend much more than just part of an episode talking about the fan/creator relationship.

In all my years as a voice actor, no fan has ever asked me what they need to do to prepare psychologically for the huge identity shift that must occur once you’re no longer a fan looking in, but a creator looking out. Maybe it’s because the two paradigms are so different that fans can’t imagine what it’s actually like to be on the receiving end of their own attention, or maybe it’s just a case of “the grass is always greener on the other side”, but being a well-known creator comes with its own challenges, and if you’re thinking of getting into voice acting for the “fame”, there are some things you need to know before you “make it big”.

First, you need to make a decision: Your choices are to “Impress” or to “Express”. Depending on which choice you make determines the nature of your artistic career.

Making that choice also helps you decide on another important skill you need to develop: your public persona. This is how you will interact with the world as public figure. It’s vital that you shape your professional avatar in such a way that it stays true to your artistic values.

I talk about both of these subjects in depth in this episode. It’s heavy stuff, but important if you want to maintain a healthy career, both artistically and emotionally.

Fame can be a very fickle thing and I want to give my listeners the tools they need to deal with becoming a public figure.

Thanks for listening!

Download Voice Acting Mastery Episode #74 Here (MP3)

Welcome to episode 72 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Ted from Florida and Sam from San Lorenzo, CA.

Ted wants to know if there is such a thing as a good or a bad voice for voice acting.

His question is one that I get asked quite often. Let me answer it as concisely as possible.

No, I do not believe there are good and bad voices. However, there are good and bad actors. Also, some people are more or less good at identifying what type of voice over work may suit their voice the best. Developing competent voice acting skills as well as the ability to cast yourself appropriately are far more important than having a certain type of voice.

I explain to Ted in more detail what it takes to know how and when to use your voice so you can work consistently as a voice actor.

Sam is excited about pursuing a voice acting career, but wants to know if he’s doing it for the right reasons.

Sam has been told by friends and acquaintances that his voice is distinctive and that maybe he should pursue voice acting. This has made Sam excited about the possibility of starting his own voice acting business.

However, like most people, Sam also has doubts about the feasibility of pursuing a voice acting career. Unfortunately, a quote that I like to share with aspiring voice actors has added to his confusion. The quote is originally from the great acting teacher Stanislavski, but I modify it slightly from the original. My version of it goes like this: “I believe it is important to love the art in yourself more than yourself in the art.”

Sam is worried that he may be pursuing voice acting for the wrong reasons. I’m very happy to explain in more detail what I mean by that quote and to reassure him that it was never my intention to discourage anyone from pursuing their inspiration.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #72 Here (MP3)

Welcome to episode 65 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Arron from Lake Elsinore, CA and John from New York, NY.

Arron wants to know what classes he should take in college in order prepare himself for a career in voice acting.

His question is a popular one. I often get asked some variation of his question during voice acting panels I attend at conventions. Many people would like to know what classes they should take in college in order to pursue a voice acting career.

I answer his question in detail, but I also help him understand some of the assumptions underneath the question that need to be addressed first. College courses may not be enough to prepare you for a career in the performing arts.

John wants to know if casting directors discriminate against voice actors who don’t have a formal education.

I chose John’s question specifically to be a counterpoint to Arron’s question. Arron is asking me what he needs to study to help develop himself as an artist. John is asking me what casting directors are looking for when it comes to hiring voice actors.

I explain to John that in my experience, no one in voice acting has ever asked me what my grade point average was in college or where I got my diplomas. Not once. Ever.

However, that doesn’t mean that it doesn’t take training to become a competent and professional voice actor. I tell John exactly what casting directors expect from voice actors.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #65 Here (MP3)

Welcome to episode 59 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I’d like to share with you what it’s like behind the scenes when you’re voice acting in Animation, Video Games or Japanese Anime. Each one of these mediums presents unique challenges to a voice actor. While the goal in all of them is the same, to sound believable as a character, they each require a different mindset and set of skills in order to accomplish that goal. It’s incredibly helpful to to have an understanding of what acting demands will be placed on you in each of these professional recording environments before you arrive at the studio! I think you’ll find it an invaluable introduction so you’re not caught flat-footed when you enter a studio!

Thanks for listening!

Download Voice Acting Mastery Episode #59 Here (MP3)

Welcome to episode 52 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions that my listeners have been leaving me on the podcast voicemail number. I’ve been getting so many good questions lately, that it seemed appropriate to go through a number of them. For those who don’t know, in past episodes,  I’ve given out a phone number where you can call in and leave me a question as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Stuart from Westhill, Scotland and Victor from Rancho Cucamonga, CA.

Stuart wants to know how to do higher pitched characters without his voice cracking or feeling pain in his vocal cords. In order to help him with his question I explain the basics of traditional western vocal production, a skill I learned from my classical singing training. I demonstrate with my own voice the best way to do higher and lower pitched characters without straining your vocal cords. I then explain why one’s voice “cracks” and what can be done to minimize the effect.

Victor wonders if it’s possible to pursue voice acting part-time instead of full-time. I begin by reiterating the two types of voice over work that I discussed in episode 16 of the podcast:

1. Narration style voice over
2. Character style voice over

While it is possible to do one of these on a part-time basis, it is far more difficult to do the other part-time. I talk about what agents and producers are looking for and how if you’re going to play in the major leagues of voice acting, you need to show a major league mindset and commitment level.

I hope you find the answers useful in your own voice acting endeavors!

As a reminder, the number where you can call in and ask your question is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #52 Here (MP3)