Welcome to episode 67 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I want to explain to you how to become a voice actor. Now, you might think it ironic that it’s taken 67 episodes of this podcast for me to finally address this topic directly. The fact of the matter is that over the last 66 episodes I’ve been doing my best to explain to you what it takes to become a professional voice actor. I’ve shared acting techniques, mindset tips, technical information and extensive interviews with industry insiders

However, even with all those episodes and all that information available, I still get asked the same question by new and aspiring actors: What do I need to do to become a voice actor? My usual response is to tell them to listen to every episode of my podcast from the beginning. Unfortunately, that doesn’t seem to satisfy some of them. While they do realize the podcast contains useful information, what they really want to know is if there is some “secret” or magic formula for becoming a voice actor. Surely there’s some checklist or a recipe, some guaranteed course of action one can take in order to become a voice actor, isn’t there?

Well, it turns out, there is. There is a simple, straightforward solution to becoming a voice actor. It’s not a checklist or a recipe. It’s a one-step process and I’m going to share it with you in this episode. But prepare yourself. It’s probably not what you’re expecting!

Download Voice Acting Mastery Episode #67 Here (MP3)

Welcome to episode 64 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Wallace from Savannah, GA and Jacob from Melbourne, FL.

Wallace is unhappy with his regional accent and would like to know what he can do to get rid of it.

It is true that one of the first things you should become aware of as you begin your voice acting career is how you sound to other people. If you don’t become aware of the way you speak, then your artistry will be limited since you will not know what you need to change in order to adapt your voice to different characters and situations.

However, there is nothing inherently wrong with the way someone naturally speaks. Our speech patterns are influenced by the environments in which we grow up. We adopt the regionalisms of the people around us in order to be more socially acceptable and to “fit in”.

So rather than thinking you need to eliminate your accent permanently, begin to see it as just one tool in your toolbox, or one costume in your wardrobe. You don’t want to invalidate your native accent, you just want to learn to turn it on and off when you need to.

I give Wallace a couple of suggestions on what to do to work on his accent including listening or re-listening to episodes 19, 20 & 21 of the podcast where I interview J.B. Blanc on his expertise and experience in accents. I also give him detailed directions on how to voice match talented actors as a way to become aware of one’s habitual speech patterns.

Jacob wants to know why his voice sounds different when recorded on a microphone versus when he is recorded on someone’s video camera.

If one is recording oneself on a high quality microphone like the ones I recommend in the Toolbox section of this website, then chances are it is a large diaphragm microphone. Video cameras and smartphones tend to have small diaphragm microphones that are of much lower quality. Also, when recording on a large diaphragm microphone you are often much closer to the mic whereas in a video, the camera person may be many feet away from you.

It is best to evaluate your voice on a large diaphragm microphone, since that is the most common recording situation you will find yourself in as a professional voice actor. However, I also give Jacob some advice on what to avoid when working with a large diaphragm microphone.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #64 Here (MP3)

Welcome to episode 57 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

It’s time for another round of Questions and Answers from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Ben from Washington D.C. and Leonard from Calgary, Alberta.

Ben is recording a number of projects from home and he has discovered that when he raises his voice or screams, he ends up getting a lot of unwanted echoes or reverb on his recording. He wants to know what he can do to improve the acoustics of his recording space without spending a lot of money. There are two aspects to acoustical treatment:

1. Isolation
2. Absorption

Isolation can be very expensive, but sound absorption is far more achievable. One of the best ways to increase sound absorption in your booth is to use acoustical foam. The foremost manufacturer of acoustical foam is a company called Auralex. You can visit their website for more information including tutorials on how to treat your recording space.

If acoustical foam is outside your budget, some of my students have recommended using a Porta-Booth solution which is marketed by the voice over artist Harlan Hogan.

I discuss 2 other possible solutions in the episode as well that are even less expensive.

Leonard wants to know what to do when you encounter a rude or demeaning voice director. While most voice directors are incredibly professional and respectful, you may run into voice directors who can be quite obnoxious. I share with Leonard my techniques for keeping my cool in the booth when trying to work under ridiculous or even hostile circumstances!

I hope you find the answers useful in your own voice acting endeavors!

As a reminder, the number where you can call in and ask your question is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #57 Here (MP3)

Welcome to episode 39 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I’m going to continue answering the questions that my listeners have been leaving me on the podcast voicemail number. I’ve been getting so many good questions lately, that it seemed appropriate to go through a number of them. For those who don’t know, in past episodes,  I’ve given out a phone number where you can call in and leave me a question as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Christian of Glendale, AZ and Leigh of the Washington D.C. area.

Christian is having some challenges with the recording levels with his Blue Yeti USB microphone. I give him some suggestions on how to avoid peaking when recording more extreme sounds.

Leigh is not only a voice actress, but also works full time. She’s looking for a high quality recording solution so she can submit auditions to pay to play sites like Voices.com and Voice123.com even when she doesn’t have access to her home recording equipment. I give her some suggestions on what she can do to get the best possible recording quality while on the go.

In the podcast I recommend a number of different pieces of equipment and software. Below is a list of them with links where you can purchase them. You can also find them in the Toolbox Section of the website. I hope you find them useful!

For Christian’s Question:
Shure PG-42USB Microphone – A more professional microphone than the Blue Yeti. The PG-42USB is a true large diaphragm microphone with a Pad Switch to allow you to have more control over the gain levels in your microphone.

For Leigh’s Question:
Solution #1 – Laptop Recording:
Sennheiser MD 421 Dynamic Microphone – A broadcast standard and my personal travel microphone. Very rugged and great at rejecting room noise. Unfortunately the signal it produces requires a lot of preamplification. In order to drive the MD 421, I use a…

Avid ProTools MBox Mini USB Interface with ProTools Software – I’ve been using MBoxes as my portable recording solution for years. However, it does require you to use a laptop in order to record.

You will also need a small portable microphone stand. I like the Konig Meyer 231/1 Tripod Table Top Mic Stand.

You will also need an XLR cable to connect the microphone to the MBox Mini.

Solution #2 – iPad Recording:
Shure PG-42USB Microphone
+
Pluggable’s Mini Powered USB Hub
+
Apple’s Camera Connection Kit for Dock connectors or Apple’s Lightning to USB Camera adapter

Here’s the formula, I plug the PG-42USB into Pluggable’s Powered USB Hub, connect the hub to either the Camera Connection Kit for older iPads or the Lightning to USB Camera adapter for newer iPads and then plug into the iPad.

You can then use any of these 3 recording apps: WavePad, GarageBand or TwistedWave.

If you absolutely must record without having access to an electrical outlet, the Apogee Mic or the Blue Spark Digital iPad microphones will also work, but they lack the low end warmth of the PG-42USB.

I hope you find my recommendations useful!

As a reminder, the number where you can call in and ask your question is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #39 Here (MP3)

Welcome to episode 34 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I continue my interview with Kimlinh Tran and Edward Bosco, two of my former students who have gone on to play main characters in the popular independent video game Dust: An Elysian Tail. You can find it on the Xbox Live Arcade. If you haven’t heard the first part of their interview, I suggest you check out the previous episode before you listen to this one.

This time around, we discuss both the casting process for the game as well as some interesting acting lessons Edward and Kimlinh learned while working on it. While they each had very different paths to being hired as voice actors for the project, once they were cast, they both faced the same challenge any voice actor has: how to portray a character believably and authentically and not simply demonstrate a caricature of that character. I think you’ll find it very enlightening!

Thanks for listening!

Download Voice Acting Mastery Episode #34 Here (MP3)

Welcome to episode 33 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

For this episode, I’m honored to interview two of my former students, Kimlinh Tran and Edward Bosco. Even though they are relative newcomers to the voice acting world, you may be familiar with their work in an amazingly popular game that has just been released called Dust: An Elysian Tail. You can find it on the Xbox Live Arcade and it’s been getting fantastic reviews. Kimlinh plays the voice of Fidget, the small but spunky companion to the hero of the game, while Edward plays the voice of Ahrah, the spirit of a magical sword who helps guide the hero on a quest to save his world.

You can view a trailer for the game below:

I’m very proud of both Kimlinh and Edward for their wonderful work in this game and I’m happy the project has been such a success! When I decided to interview them, I felt that sharing their experiences as they begin their voice acting careers would be helpful and inspiring for you, my listeners, and I hope you enjoy their story.

Thanks for listening!

Download Voice Acting Mastery Episode #33 Here (MP3)