Welcome to episode 124 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

This is the second part of my interview with my good friend Richard Tatum! Richard is not only an accomplished voice actor, and voice over teacher, but also an amazing producer of voice over demos. You may know him as Rex Goodman in Fallout 4, the voice of Theodore Roosevelt in Civilization VI and Omar Harmozi from the animated series Static Shock. I first came across Richard’s work as a demo producer when one of my students played me her demos and I was blown away by how well they represented her abilities as an actress. Not only was her character demo very compelling, but her commercial demo was impressive as well. When I asked her who had produced them, she introduced me to Richard and he and I have been friends ever since.

In our previous interview segment, we discussed the beginning of Richard’s acting journey and how his strong theatrical acting background helped him pursue a voice over career. Amazingly, Richard broke into voice acting not just once, but twice! The first time was around 1996 when he got his first agent and started booking voice over work in Los Angeles. Unfortunately, when the actor’s union strike against commercials in 1999 dragged on for 6 months, Richard found that he needed to pursue other employment opportunities outside of voice over. Years later, in 2011, he decided to approach voice acting again. This time around he had a more methodical approach as well as far more experience under his belt. I think it’s incredibly useful to hear what changed and what stayed the same between both time periods when it comes to trying to break into the voice acting world.

In this episode, we’ll talk about how Richard began producing demos for voice actors. Through some wonderful synchronicity, Richard was able to join forces with a colleague of his to start coaching voice actors as well as help develop their demos. Not only do we discuss what you should and should not put on your demo, Richard also explains the mindset you need to have in order to use that demo to market yourself effectively to agents and casting directors. I certainly learned a lot from this segment with Richard and I’m sure you will as well!

If you’d like to find out more about Richard’s classes and voice over demo services, please visit his website at:
AbsoluteVoiceOverLA.com
or contact him via e-mail at:
AbsoluteVOLA@gmail.com

Thanks for listening!

Download Voice Acting Mastery Episode #124 Here (MP3)

Welcome to episode 123 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

Welcome to the first part of my interview with my good friend Richard Tatum! Richard is not only an accomplished voice actor, and voice over teacher, but also an amazing producer of voice over demos. You may know him as Rex Goodman in Fallout 4, the voice of Theodore Roosevelt in Civilization VI and Omar Harmozi from the animated series Static Shock. I first came across Richard’s work as a demo producer when one of my students played me her demos and I was blown away by how well they represented her abilities as an actress. Not only was her character demo very compelling, but her commercial demo was impressive as well. When I asked her who had produced them, she introduced me to Richard and he and I have been friends ever since.

Like myself, Richard got his training in the theater and even had an opportunity in college to perform on stage with Patrick Stewart in a production of Shakespeare’s the Tempest! After moving to Los Angeles, Richard pursued both voice acting and theater and has made quite a name for himself as a director and adaptor of stage plays. He’s been nominated repeatedly for the prestigious LA Theater’s Ovation awards for his work as a director, and he applies these admirable directorial skills while helping voice actors create their voice over demos.

In the first part of our talk, we focus on Richard’s acting background and how he began his career as a performer. Early on he worked as an actor in a repertory theater company in Philadelphia, but it didn’t take long before he realized he wanted to make the move to Los Angeles to expand his acting prospects. Upon arriving in LA he began working as a tour guide at Universal Studios. This was fortuitous as it made it possible for him to take a workshop with a former tour guide who had become a professional voice actor, the famous Bob Bergen. Bob is probably most well known for being the current voice of Porky Pig, but he’s worked on hundreds of other influential voice acting projects. Bob was able to help Richard learn how to take his existing theatrical acting skills and best apply them in the world of voice acting. Making the transition from theatrical acting to voice acting can be challenging. I know it was for me at times. That’s why I really enjoy hearing how Richard was able to internalize Bob’s advice and apply it not only to his own voice acting career, but also to producing voice over demos for others. I think my listeners will really benefit from this time-tested wisdom.

If you’d like to find out more about Richard’s classes and voice over demo services, please visit his website at:
AbsoluteVoiceOverLA.com
or contact him via e-mail at:
AbsoluteVOLA@gmail.com

Thanks for listening!

Download Voice Acting Mastery Episode #123 Here (MP3)

VAMFR 017 | Interview with Mela Lee, Part 2

Welcome to episode 17 of the Voice Acting Mastery: Field Report podcast!

You can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.vamfieldreport.com/podcast

In this episode our newest correspondent, Maureen Price is thrilled to share the second part of her interview with the multi-talented voice actress, vocalist, and songwriter, Mela Lee.

Mela’s work as a voice actor spans anime, video games, film, and television. She is also the vocalist and songwriter for her band Magnolia Memoir. We’re very grateful to Mela for taking time out of her incredibly busy schedule to sit down with Maureen for this interview.

In the previous episode, Mela discussed her entry into the entertainment industry and the ups and downs that came along with balancing multiple careers. She also shared her thoughts on the power of a supportive community and the excellence that comes from immersion in your craft. Finally, Mela provided insight into her evolution as a vocalist and a songwriter.

In this episode Maureen and Mela discuss the connection between voice acting and music and how they feed into one another. They also talk about how voice acting has enhanced Mela’s experience as a musician and vice versa. They then discuss Mela’s experience producing the anime Skip Beat! and how being on the production team broadened her perspective as a voice actor. Lastly, Mela and Maureen chat about her web series and the importance of passion and authenticity when creating your own content.

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #17 Here (MP3)

Welcome to episode 121 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Adam from Scranton, PA and Matthew from Flagstaff, AZ.

Adam wants to know how he can expand his vocal range.

His is a very common question. I’m often asked by aspiring voice actors how they can expand their vocal range. Usually the question comes from male performers who want to know what they can do to lower or deepen their voice. I’ve almost never been asked how someone can learn to pitch their voice higher while voice acting. Now I’m not sure if Adam is specifically asking for advice on how to speak in lower tones, but allow me to address vocal range from a technical standpoint first. Then I’ll touch on some psychological issues that may be informing why I get asked this question so frequently.

Matthew wants to know how to change the timbre or quality of his voice.

I thought Matthew’s question was a great follow up to Adam’s about vocal range. Matthew uses the word “timbre” which is a very specific term that usually describes the tonality of an instrument. For instance, a violin and a trumpet might be able to play the same note or pitch, but the timbre or sonic quality of each instrument is very different. The technical reason for this has to do with the types of overtones or resonances that each instrument produces which give them their characteristic sounds. This means that you’d never mistake the sound of a violin for that of a trumpet because of their different timbres.

If Matthew will permit me, I’d like to use the term vocal quality in place of timbre in order to address his question. Based on the kinds of sounds he’s trying produce, I believe vocal quality is a more accurate description. Matthew says that he has difficulty performing a raspy character without hurting his voice or throat. Raspiness is more of a vocal quality than a timbre because it has less to do with overtones and more to do with breathiness, sibilance and other vocal qualities.

I help explain my approach to changing the quality of my voice and the importance of avoiding vocal injury when doing so!

I also recommend Kristin Linklater’s book, Freeing the Natural Voice.

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #121 Here (MP3)

VAMFR 014 | Interview with Tony Oliver, Part 3

Welcome to episode 14 of the Voice Acting Mastery: Field Report podcast!

In this episode, our correspondent, Tom Bauer concludes his interview one of his personal voice over mentors: Tony Oliver.

Tom first met Tony while taking class with him in November of 2012 and Tom has had the good pleasure of working with Tony since as a voice actor. Tony‘s voice over roles in anime include Rick Hunter in Robotech and Lupin in the Lupin the Third TV series. Tony also worked for many years as a writer and producer on the famous Mighty Morphin’ Power Rangers television series for Saban Entertainment. He is also a talented director and teacher, directing such popular anime titles as Gurren Lagann and Hunter X Hunter.

In part 2 of this interview, we learned about Tony’s personal methodology when directing his actors and teaching his students. He stressed the importance of focusing on a character’s feelings and emotions in order to deliver a more believable and natural performance. Tony also gave advice on how to handle rejection and the importance of staying positive and finding joy in your craft to sustain your momentum and maintain your stamina while pursuing your voice acting career.

In this final episode, Tom asks Tony about the differences between directing veteran and younger voice actors. Tony also talks at length about how he became a teacher and how he helps his students ‘get out of their head’ when performing in the booth.

If you are interested in taking class with Tony, make sure to visit the Workshops Page of the Adventures in Voice Acting Website.

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #14 Here (MP3)

VAMFR 013 | Interview with Tony Oliver, Part 2

Welcome to episode 13 of the Voice Acting Mastery: Field Report podcast!

In this episode, our correspondent, Tom Bauer continues his interview one of his personal voice over mentors: Tony Oliver.

Tom first met Tony taking a class with him in November of 2012 and he’s been fortunate enough to work with him as an actor on a few anime shows. Tony is probably most famous for his voice acting work in anime, taking on such roles as Rick Hunter in Robotech and Lupin in the Lupin the Third TV series. Tony also worked for many years as a writer and producer on the famous Mighty Morphin’ Power Rangers television series for Saban Entertainment. If that wasn’t enough, Tony is also a talented director and teacher, directing such popular anime titles as Gurren Lagann and Hunter X Hunter.

In part 1 of this interview, Tony was telling us in detail how his personal life experiences led him to where he is today as a voice over director. He also emphasized how important it is for an actor to be training constantly so that they’re ready for anything when it comes time to perform.

In this episode, Tony talks about what he learned in the early days of his voice over career and how he applies his personal acting methodology both as a director, when he’s guiding the performances of other actors, and as a teacher, when he’s working with his students. Tom and Tony also talk about what it takes to succeed as a voice actor and how to thrive in an industry where you constantly face rejection. They begin this part of their chat with Tom asking Tony about the kinds of challenges he faced while he was developing his skills as a voice actor.

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #13 Here (MP3)