VAM 091 | Voice Acting Is a Physical Art, Not Simply a Mental One

Welcome to episode 91 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I’d like to discuss the vital importance of incorporating one’s physicality into a voice acting performance.

This is a challenge that comes up often when I am teaching my students, both in my group classes and during individual private coaching sessions. Often, I will be working with a student who is quite capable, knows how to listen and take direction, and may even have wonderful natural acting instincts, but their performances consistently fall flat because they do not engage their body when acting. Their mind and even their emotions may be fully engaged, but something is still missing, and it affects the believability of their reads.

What is this mysterious missing something, and why is it so important to put your physicality into your performance when voice acting? After all, you’re in a small padded room with a mic in front of you. How physical can you really be anyway? Because voice acting does happen in a booth and not on a stage or in front of a camera with sets, props and costumes, it can sometimes seem less like a physical performing art and more like a mental exercise. There is a common misconception that if you speak the words correctly and understand the emotions in a scene, your acting should be believable regardless of what your body is doing.

I’m here to set the record straight and to explain that all acting, even voice acting, is actually a physical artistic craft. If your performance is not rooted in your body, and if the character you are playing is not influenced by your physicality, your acting will never sound believable on a professionally competitive level. Allow me to explain to you how this works in this episode.

 

Download Voice Acting Mastery Episode #91 Here (MP3)

 

VAM 090 | The Myth of Talent: Can Anyone Be a Voice Actor?

Welcome to episode 90 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode I’d like to address a common misconception that I find many people have about the nature of acting.

Sometimes I feel like acting is one of the most misunderstood of the performing arts, mostly because it seems so invisible when someone is doing it well. A truly believable acting performance can seem so transparent and effortless that it feels as though nothing is really going on and the actor is just naturally self-expressing. The illusion of transparency applies doubly to voice acting, where even the actor giving the performance is unseen by the audience.

This invisibility can lead many listeners to infer that either the actor giving the performance is just naturally talented, or that voice acting is something that anyone can do without much effort. To some it seems like the actor is doing something unattainably magical and this means that acting must require some sort of mysterious inborn ability. To others it sounds like the actor is just talking, and since talking to other people is something we all tend to do in our everyday lives, how artistically demanding could voice acting truly be? So which is correct?

Does it take natural talent to become a voice actor, or can anyone just step up to the mic and talk their way to fame and fortune?

Let’s find out!

 

Download Voice Acting Mastery Episode #90 Here (MP3)

 

VAM 089 | Better Voice Acting Through Critical Listening

Welcome to episode 89 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I’d like to talk about a skill that is crucial to becoming a better voice actor: Critical Listening.

I touched on this topic briefly in my interview with Edward Bosco and Kimlinh Tran back in episodes 33, 34 and 35 of the podcast. When I asked Kimlinh what advice she would give to aspiring voice actors, she explained that the best thing they could do is to develop their Critical Listening Skills. I agreed.

If you’re going to pursue voice acting professionally you need to be able to listen to an actor’s performance, understand what acting choices they made, and then decide whether or not those acting decisions are the best ones to serve the character and the story. Until you develop the ability to listen to performances critically in both other actor’s work and in your own acting, you won’t know what you need to do to improve your performances. So let’s spend this episode talking about what it takes to develop your critical listening skills.

 

I hope you enjoy the episode!

Download Voice Acting Mastery Episode #89 Here (MP3)

 

VAM 088 | Q & A Session 17 – Reducing Sibilance & Practicing ADR and Anime

Welcome to episode 88 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Yvonne from Oakland, CA and Emily from Tampa, FL.

Yvonne works in the audiobook industry. He’s been having trouble with his recordings being too sibilant.

First, let me define sibilance for those of my listeners who may not be familiar with the term. Sibilance is the sound one makes in the English language when one makes an “s” sound. In the world of voice over, sibilance usually refers to someone whose “s” sounds are too pronounced or hissy.

I give Yvonne some tips on how to reduce the sibilance in his recordings, both in terms what he might need to change in his performance as well as numerous technical solutions to the problem.
 
Emily is aware that in order to work as a voice actor in anime, a performer needs to know how to match the lip flap of characters on the screen. She’d like to know how to practice matching lip flap on her own.

Matching the lip flap of characters on the screen is a challenging skill to develop.

The practice of dubbing your voice to preexisting video footage is known as Automatic Dialogue Replacement or ADR. Not only is ADR work challenging for an actor, but because the technical requirements to set up an ADR recording session are complicated, it’s challenging for a recording engineer as well.

While running your own ADR setup is possible it requires manipulation of audio and video on a professional level. I share some of the software one can use to run ADR sessions on your own, but learning how to use such software effectively still requires a significant investment of time and energy.

Emily’s time might be better served by taking classes like my Anime Voice Acting Workshops where all the technical challenges are taken care of.

 

I hope you find the answers useful in your own voice acting endeavors!

 

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #88 Here (MP3)

 

VAM 083 | How to Work Successfully with Producers and Casting Directors

Welcome to episode 83 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In the last episode, I talked at length about agents and managers. Specifically, I explained how to build a fruitful relationship with an agent by understanding what is their responsibility as your representative and what is your responsibility as their client. I also discussed the differences between agents and managers to ensure that there was no confusion among my listeners about the different jurisdictions and approaches of these two kinds of professionals.

In this episode, I’d like to talk about how best to interact with Producers and Casting Directors. I want to help you understand the mindset of producers since they are the ones who usually have the final say about who does and does not get hired to play a voice acting role. This may come as a surprise to some aspiring voice actors who might think that this decision gets made by a show’s voice director. While a voice director’s creative input is definitely considered during the initial casting stage, it is almost always the producer who finally decides which actors will play which characters.

Sometimes, producers will hire an industry professional known as a casting director to help with this process. A casting director can save a lot of the producer’s time by helping them narrow down the number of auditions submitted by actors. The casting director serves as a filter, listening to hundreds of submissions and bringing the producer only a final few to be considered for each available role. Even though it has become more common recently for producers to approach actors’ agents directly in order to solicit auditions, a good casting director can still play an important role in bringing actors and producers together.

Both producers and casting directors have a problem, one that only you can solve! Check out the episode to learn how best to help them!

Thanks for listening!

Download Voice Acting Mastery Episode #83 Here (MP3)

 

VAM 082 | How to Work Successfully with Agents and Managers

Welcome to episode 82 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In the last episode, I explained the basics of how the casting process works for traditional Hollywood style voice acting productions. I talked about the interaction between actors, their agents, casting directors and the producers of these projects.

However, after releasing the episode, I realized that some members of my audience might not be as familiar with the job descriptions and/or responsibilities of agents, managers and casting directors. Others may be familiar with what these industry professionals do, but may not know the best way to approach or work with them.

I’d like to take the next couple of episodes to clarify how you as a voice actor might interact with these types of industry professionals in the most fruitful way possible.

One of the most important business relationships you will have as a working voice actor is the one you share with your agent, so I want to spend the majority of this episode explaining what an agent is, what they are not, and the best practices for collaborating with them. Even though it is possible, especially in the beginning, for a voice actor to gain a certain level of experience and success without the professional representation that an agent can provide, it’s useful even for beginners to learn how actors and agents work together. This way you can be prepared to approach an agent with confidence once you’re ready to reach the next level in your career. I’ll also explain the difference between agents and managers, a distinction that can be confusing to actors new to the entertainment industry.

Thanks for listening!

Download Voice Acting Mastery Episode #82 Here (MP3)