Welcome to episode 217 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
This is the second and final part of my interview with the vocal shape-shifter, Mara Junot! As I mentioned in the previous episode, Mara identifies as non-binary, but accepts both “she” and “they” pronouns. For the purposes of this podcast, I will be using “she/her” when referring to Mara so as to avoid pluralization confusion during these episodes. You may know Mara’s voice acting work in animation on shows like Curious George, Boss Baby: Back in the Crib, Blaze and the Monster Machines, and Arcane. In Video Games she’s been in Destiny 2, League of Legends, Mortal Kombat and Marvel Rivals. In Anime she’s worked on Ishura, Tezuka’s anime, Pluto, and Mara and I are both cast in Pokemon Horizons.
In the previous episode, Mara explained how she got started as a voice actress. She originally started in voice over as a radio DJ, and thought that was going to be her dream job. However, because of management changes at the station, and her own desire to grow artistically, she decided to leave radio and pursue voice acting full time. After spending 16 hours a day on average researching and studying voice over, she began to build a career for herself working remotely, first in Louisiana, then later in Colorado. After booking a role in the hit animated series Arcane, she realized she needed to move to Los Angeles to take her career to the next level.
In this episode, I ask Mara what inspired her to become a performer in the first place. She shares with me a vision that her mother had of Mara standing on a stage, speaking to a large audience who was enraptured. This idea of Mara using her voice to uplift others became a guiding principle in her life. She and I then talk about how important it is to have a good work/life balance as a performer. Mara has found it too easy at times to overcommit and burn herself out! She’s a big believer in naps, which I endorse heartily as well!
We then go back in time to when Mara first performed in the theater as a child, and how an experience she had on stage which could’ve been very embarrassing, actually helped her feel more empowered as a person and as an artist. It’s a formative story from her youth, and discussing it on the podcast helps Mara realize just how much it has influenced her artistic journey ever since! She then shares with me her advice for the aspiring voice actor, and how important it is to be patient with yourself as you pursue an acting career. Mara is a big believer in finding your authentic self and sharing that in your performances. Finding and revealing your true self can take a lot of introspection, self-honesty, training, and courage. The world is full of actors who seem to have become overnight successes, but if you ask them about it, you’ll find out that they’ve actually been practicing their craft for years! Mara encourages you to be good to yourself as you grow as an actor. She is courageous not only in the pursuit of her career, but also in how willing she is to share her own trials and tribulations as an artist. So without further ado, here’s Mara!
Welcome to episode 216 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the first part of my interview with the vocal shape-shifter, Mara Junot! Before we begin, I want to acknowledge here that Mara identifies as non-binary, but accepts both “she” and “they” pronouns. For the purposes of this podcast, I will be using “she/her” when referring to Mara so as to avoid pluralization confusion during these episodes. Now, you may be familiar with Mara’s work in animation where she’s played Marlene in Curious George, R&D Baby Simmons in Boss Baby: Back in the Crib, Superhero Narrator, Tiger Statue, and Betty Blueprint from Blaze and the Monster Machines, and Shoola in the hit show, Arcane. In Video Games she’s played Ikora Rey in Destiny 2, Evelyn in League of Legends, Sindel in Mortal Kombat and Storm in Marvel Rivals. In Anime she’s played Elea the Red Tag in Ishura, Helena in Tezuka’s anime, Pluto, and Mara and I have the great pleasure of working together on Pokemon Horizons where she plays Orla, the chief engineer of our airship the Brave Olivine.
In this episode, Mara and I begin our discussion with the question I ask all of my guests: how did she get started as a voice actor? Mara’s path to voice acting is a bit unique because she actually began her career on the microphone as a Radio DJ! She was living in a town called Houma in Louisiana, about an hour southwest of New Orleans, working a corporate job that she hated. She then found an opportunity to audition for her local radio station. She reached out to a friend of hers who had some experience in radio, and he helped her put together a recording demonstrating her DJ skills. The station liked what they heard, and she was fortunate enough to get hired to host one of the shows on their county music station. She eventually expanded into DJing at two other stations owned by the same company: a classic rock station, and a soft rock station. Working as a radio DJ was a dream come true for Mara and she thought she was on top of the world!
Unfortunately, after about 7 or 8 years, Mara began to feel like she had stopped growing. She was working all the time, but didn’t feel like there was any more career advancement for her in radio. There was also a change of management at the company which resulted in some personality conflicts amongst the employees, and Mara realized she needed to switch careers.
She had always enjoyed acting as kid in school, but had never felt comfortable embracing what she thought was the acting lifestyle. Mara is an introvert who values her privacy. She didn’t know how to pursue acting without having to become a public figure. That’s when she realized that voice acting might be a way for her to pursue her acting ambitions, retain a sense of anonymity, and still work from her current location in Louisiana. It wasn’t going to be easy, but she was determined to figure out a way to make it work.
Mara began by finding out everything she could about pursuing a voice over career. She scoured websites for information, she started signing up for pay-to-play sites like Voice123.com where you can pay a membership fee to get access to auditions for certain types of voice over work. She even listened to this podcast to help her find out more about the industry! Early on, Mara knew that she wanted to become a household name in voice over. She wanted to have similar name recognition to someone like Morgan Freeman. She also understood that such an ambitious goal would require a lot of commitment. She would spend all day studying voice over, sometimes 16 to 18 hours a day, doing everything she could to expand her knowledge and her skills.
All of that hard work started paying off. She began getting work, building up a list of repeat clients, and discovering that she could in fact have a career in voice over outside of her experiences in radio. However, in order to become as recognizable as Morgan Freeman, there were some major hurdles she had to overcome. Initially, she had to learn to overcome her reluctance to meet with industry people in person, especially at big voice over conferences. Once she overcame that hurdle, she then realized that in order to get her voice acting career to the next level, and work on the types of projects she had always dreamed of, she was going to need to move to Los Angeles. After moving to LA, she still had more work to do: looking inward to come to grips with who she really was as an artist, and how best to share her authentic self in her performances. It’s a compelling and heartfelt journey, and I’m grateful to Mara for being willing to share such very personal details with us. Let’s get started!
Welcome to episode 214 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’m eager to share with you the first part of my interview with a voice actor who has played many iconic characters in animation, video games, and anime: the super talented and emmy-nominated, David Errigo Jr.! His roles in animation are numerous including Hampton J. Pig, Plucky Duck, and Arnold the Pit Bull in Tiny Toons Looniversity, Mojo, Leach, Gladiator, and Banshee in X-Men ’97, Ferb in Phineas and Ferb, and he was nominated for an emmy for his portrayal of Dudley in Ridley Jones! In video games, he’s played Oswald the Lucky Rabbit in Disney Speedstorm and Disney Dreamlight Valley, Victor Krum in Harry Potter: Quidditch Champions, and both Gustav and Oberon in Shin Megami Tensei V and V: Vengeance. In anime he’s played several characters in Yu-Gi-Oh and Pokemon, Detective Henry in Tezuka’s anime Pluto, and Boy Ranma in the new production of Ranma 1/2!
In this episode, we begin our conversation with David telling me how he got started as a voice actor. He recounts to me the story of when he was working as a theater actor in New York City, and he had an interview with a Theatrical agent. During the interview David expressed interest in voice over and the agent decided to introduce David to a voice over agent in the same office. David and the voice over agent hit it off, and David was ecstatic to begin auditioning for voice over work.
I then ask David to go back in time a bit in order to explain to me how he began pursing acting in the first place. When David was young, he was not initially interested in performing. He thought he might become a visual artist, but while attending a Bruce Springsteen concert with his Dad, he glanced over and noticed the immense joy and excitement that he saw on his father’s face. David wanted to inspire that same kind of joy in others and he believed the best way he could that was by becoming a performer.
So he immediately started taking acting classes at his school and also joined his school choir. He continued to study acting and to perform in shows throughout college. After graduating, he worked numerous acting jobs including: a 6 month tour with a Children’s Theater company, he did summer stock theater, he performed at the Arizona Broadway Theater, and he even did a tour performing on a Disney cruise ship! All of this theater work inspired David to eventually move to New York City to pursue his acting career in the Big Apple.
While he was in New York, he not only had the opportunity to meet with a voice over agent because of his theater experience, but he also was able to audition for animated projects that were being recorded in the city. Going on his first voice over animation audition was so exciting for David that he called up his father afterwards and told him that he believed that he had found what he was meant to do in life. All of his hard work and passion had lined up with his fascination and he knew deep down that he wanted to be a voice actor.
He realized that moving to LA was a necessity, especially since his obsession was animation. Through serendipitous means, he was finally able to move to the west coast and pursue a voice acting career in Hollywood, where he has succeeded admirably. David is a fantastic combination of both wild enthusiasm and rigorous discipline. He can be playful and practical at the same time, and his ability to combine these seemingly disparate aspects into a cohesive whole has contributed greatly to his success. His journey is a wonderful lesson for all of my listeners, and I hope you learn just as much from him as I did!
Welcome to episode 203 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to fourth and final part of an interview of me, hosted by my good friend and fellow voice actor, Julie Nathanson! As I mentioned in episode 200, Julie had offered years ago to turn the tables on me and interview me on my own podcast! I thought it was a great idea and I’m so grateful that she agreed to take over as interviewer for this 4 episode series!
In the previous episode, Julie and I talked about how I began my voice acting career working on anime dubs in New York city in the late 1990s. We talked briefly about my demos before we dove into a longer discussion about AI and whether I think artificial intelligence and machine learning can create meaningful storytelling. She then shared more questions from our voice acting colleagues, including one from Steve Blum about whether or not my deep analytical knowledge about storytelling ever gets in the way of my spontaneity as an actor. This gave me the opportunity to articulate my personal acting process with more specificity and nuance than I’ve ever done before. It was a very satisfying conversation and if you haven’t already, I would suggest that you listen to the 3 previous episodes of this interview before continuing with this final segment.
We begin this episode with some more questions from my voice acting colleagues. The first is from JP Karliak who says that even though voice actors may be facing some new and daunting challenges recently, he’d like to know if there’s anything about the voice acting industry that makes me optimistic and excited for the future. The next comment is from Stephanie Sheh who talks about how my willingness to admit my shortcomings as a director allowed her to be more honest and trusting with me as an actor. The final contributor is Jennifer Hale, who wants to know if there’s any question that I’ve never been asked, but that I’ve always wanted someone to ask me.
Jennifer’s query prompts me to share with Julie three stories or wisdom fables about the artistic process. While I’ve occasionally told one of these stories in previous interviews, I’ve never told all three of them at the same time. The stories were originally told to me by Rinde Eckert, a virtuosic theater artist and composer, and they are educational metaphors that are densely packed with wisdom. Furthermore, they encapsulate some of the core pieces of advice that I would want to impart to any aspiring voice actor. These stories also segue quite elegantly into my definition of the word “mastery” and how it applies to the artistic process. It’s a wonderful way to bring my time together with Julie to a satisfying conclusion and I’m so glad for the opportunity to share these insights with my listeners!
Welcome to episode 200 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
For this episode, we’re going to be doing something a little bit different! Back in episode 154 of the podcast, I interviewed my good friend and fellow voice actor, Julie Nathanson. During that interview, she offered to turn the tables and interview me in return someday! So I thought it would be an interesting experiment to ask Julie to take over as the host of this particular segment, and she graciously agreed! So as a special treat for this 200th episode, Julie will be interviewing me on my own podcast! A word of warning though, this interview was very in-depth, so I’m splitting up our incredible 4-hour conversation into 4 separate episodes! To be honest, we probably could’ve spoken for even longer, but we really did our best to restrain ourselves! And so, in an unprecedented first for Voice Acting Mastery, I’m very pleased to hand over my podcast to the very capable Julie Nathanson.
Julie’s Introduction:
Hi, I’m Julie Nathanson. Welcome to the first part of my interview with the Wondrously Multi Dimensional and multi talented Crispin Freeman. You may recognize him from his performances in Naruto, Hellsing, Ghost in the Shell, Young Justice, Steven Universe, Adventure Time, Demon Slayer, the Cowboy Bebop Movie, Howl’s Moving Castle, and recently The Bad Batch. Unsurprisingly, Crispin has also lent his voice to many of your favorite game franchises, from Kingdom Hearts to Call of Duty to Diablo to Final Fantasy, to judgment to Destiny. And of course, he is the incredible voice behind Winston in Overwatch.
Not only is Crispin a prolific and truly talented voice actor, but he is also an expert in mythology. He teaches classes on mythology and meaning where he brilliantly breaks down storytelling patterns in animation, film, and game. And just in case that is an impressive enough, Crispin is also a well respected voice over coach and teacher, whose passion and curiosity led him to create the beloved podcast Voice Acting Mastery, which has not only inspired countless voice acting students the world over but has inspired his many esteemed guests as well, coaxing stories and profundities from the voice acting community who share a common gratitude for the chance to dive deeper into their own processes.
The 1st 199 episodes are treasure troves of information and inspiration, and I am especially honored to speak with Crispin for this his 200th episode of Voice Acting Mastery.
Welcome to episode 197 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with voice actor and theme park voice performer, Josh Petersdorf! You may know Josh from his work in games like League of Legends, Fire Emblem: Engage, World of Warcraft: Shadowlands, and Overwatch. He’s worked on the English language dubs of anime shows like Aggretsuko and on live action shows like Project “Gemini”. He’s also the voices of both Megatron and Optimus Prime at the Universal Studios Theme Park during the live action show that takes place before the Transformers 3D ride.
That last time we spoke, Josh shared with me how he became a voice actor. He was inspired to pursue performing at a young age after watching his sisters perform in dance recitals. However, during high school, he focused more on athletics, and it wasn’t until after he was living on his own that he realized that he wanted to pursue voice acting as a career. He moved to LA, started taking classes, and was fortunate enough to be able to book work at the Universal Studios Theme Park and to also get agent representation. He started booking voice over work, but when he landed the role of Roadhog in Overwatch, it definitely took his career to a new level.
In this episode, I ask what inspired Josh to become a performer in the first place. He shares with me how much the artists from his childhood influenced him to try to create things himself, and how his love of pro wrestling and his nostalgia for 80’s cartoons still inform his artistry today! The characters from the entertainment he consumed often served as role models for him and helped shape not only his creative sensibilities but his personal development as well. He and I also talk about how the most successful voice actors are always looking to expand their capabilities and grow into different areas or niches of the industry. And finally, Josh gives me his advice for the aspiring voice actor, which at its core seems to contain a paradox: He suggests that actors both be ready to work hard and also be easy on themselves. He thinks they should both be demanding when it comes to their own skills, but forgiving as well. It’s a fascinating contradiction that I actually think you’ll find very insightful as we explore it in this episode.