VAM 185 | Interview with JP Karliak, Part 2
Welcome to episode 185 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with the fabulous JP Karliak! You may be familiar with his extensive work in animation including Boss Baby: Back in Action, Spidey and His Amazing Friends, TrollsTopia, Dogs in Space, and the New Looney Toons! In games, he’s worked on Skylanders, Crash Bandicoot 4, and Marvel Avengers Academy. You can also hear him in anime shows like Fate/Grand Order the Movie and Neon Genesis Evangelion. He’s also the founder of Queer Vox, a not-for-profit training academy and community for LGBTQIA+ voice over talent, and co-founder of the non-partisan voter action group, NerdsVote.
In the previous episode, JP shared with us how he broke into voice acting. After seeing Disney’s animated film Aladdin as a child, he was convinced that only celebrities were cast to play animated characters. He pursued a more traditional acting career on stage and screen, but was pleasantly surprised to discover in college that his classmates appreciated his voice acting in their student film projects. One of his professors at the University of Southern California suggested he start taking voice over classes with professionals in the Los Angeles area, and JP quickly realized that he had found his niche!
In this episode, JP tells us what inspired him to become an actor in the first place. It turns out that JP had some very personal reasons why he found acting appealing. As a queer kid growing up in a small town culture that didn’t always approve of him, he had to spend a lot of time pretending that he was actually a straight person in order to fit in. Acting as characters in stories gave him the opportunity to play pretend without being self-conscious or worrying about satisfying other people’s cultural expectations. It was especially exciting for him if the character he was portraying was a powerful villain like his childhood favorite, Skeletor from He-Man and the Masters of the Universe! Inspired by his story, I then share with JP my personal reasons for pursuing acting, including the fact that I didn’t always fit in with the macho male stereotype that I felt pressured to adopt as a young boy. I’m sure JP and I aren’t the only ones who felt drawn to acting because it helped us explore and develop our emotional lives in a healthy way.
We then talk about QueerVox, the academy and community for queer actors that JP helped found with his colleague, and earlier guest on the podcast, Sarah Elmaleh. JP explains the inspiration for starting QueerVox, and how it has less to do with whether or not someone has the acting skills to be able to play someone other than their sexuality or gender identity, and more about making sure that queer actors benefit financially from the rise of queer characters and queer stories in entertainment. We also discuss how the industry keeps moving from a broadcasting paradigm where producers are trying to appeal to the broadest audience possible, to a narrowcasting paradigm where a show’s authenticity is important for securing a smaller, but more loyal fanbase. JP then talks about the different services that QueerVox offers both to aspiring talent, and to producers and casting directors who are looking to hire them! You can find out more about all of it at QueerVox.org.
After that, JP and I end our discussion with his advice to the aspiring voice actor and how he encourages all of his students to simply relax around their fellow industry professionals. It helps if you have interests and hobbies outside of voice over that you can share with your colleagues. That’s something that Dee Bradley Baker also mentioned in my interview with him back in episodes 146 and 147. Not only can sharing outside interests help you build a natural rapport with other voice over people, but it can also help replenish your own artistic well of creativity. Exploring this topic is a wonderful way to end our discussion and I’m happy I get to share JP’s insights with you!
VAM 181 | Interview with Amanda C. Miller, Part 2
Welcome to episode 181 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with Amanda C. Miller! Amanda has worked extensively in animation, video games, and anime including Boruto: Naruto Next Generations, Sailor Moon and Sailor Moon Crystal, and the Dangan Ronpa video games. In American animation, she’s worked on Netlix’s She-Ra and the Princesses of Power, Kid Cosmic, and DC Super Hero Girls. Amanda also works on-camera as an actor and behind the scenes as a writer and producer of her own web series! Having recently moved to Atlanta, Georgia to pursue acting opportunities there, she brings a unique perspective on how to manage an acting career where she works both in Atlanta and on remote voice acting projects in LA.
In the previous episode, Amanda explained how she broke into voice acting. While she initially intended to pursue a career as a theater actor in New York city after graduating from college, she changed her career trajectory after taking a voice acting class with veteran voice actor and director, Tony Oliver. His feedback encouraged her to pursue voice acting in Los Angeles instead. Amanda moved to LA, interned at Bang Zoom studios, and quickly learned what it took to work professionally as a voice actor. There was no magic “break through” moment where she was suddenly discovered. In fact, she didn’t win the 2009 AX Idol voice acting competition held at Anime Expo, but was only a runner up. That didn’t stop her. She continued to develop her abilities as a voice actress. Her success is due to the fact that she can deliver consistent, believable, and professionally competitive performances over and over again.
In this episode, we dive into what inspired Amanda to become an actor in the first place. Amanda was a very shy and sensitive child who moved around a lot due to her father being in the military. While she couldn’t control her circumstances or her surroundings, she did develop a rich imagination. She would create characters and stories where she could explore different emotions, relationships, and situations. Her fantasy life definitely helped inspire her acting pursuits! We also talk about what it’s been like for her to play a beloved character from her childhood, Sailor Jupiter in the Sailor Moon and Sailor Moon Crystal anime series. We then get into a discussion about how you can find satisfaction in the face of the uncertainty and volatility of an acting career. At the end of our talk, Amanda shares with us her advice to the aspiring voice actor including how important it is to find value as a human being regardless of how successful you are in your career! So without further ado, here’s Amanda!
VAM 180 | Interview with Amanda C. Miller, Part 1
Welcome to episode 180 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’m very happy to present the first part of my interview with the multi-talented Amanda C. Miller! Amanda has played many famous characters in animation, video games, and anime including Boruto in Boruto: Naruto Next Generations, Sailor Jupiter in Sailor Moon and Sailor Moon Crystal, and the characters Junko and Toko in the Dangan Ronpa video games. In American animation, she’s played Flutterina in Netlix’s She-Ra and the Princesses of Power, and Jo in Kid Cosmic, the new animated series from Powerpuff Girls creator, Craig McCracken! Amanda also works on-camera in films and web series, including the comedic web series, Ghosts ’n Stuff, Inc. where she co-produced and wrote many of the episodes! I’m excited to get her perspective on the voice acting industry as well as what it’s been like for her starting her career in Los Angeles and having now moved to continue her career in Atlanta, Georgia.
Amanda had an international upbringing. A self-proclaimed Air Force brat, Amanda was born in Germany and spent much of her childhood traveling back and forth between Germany, Florida, and Maryland, eventually settling down in Maryland after she was in the 7th grade. She started participating in her school’s theater program during middle school and high school and had every intention of graduating college and moving to New York to do Broadway theater. However, while in college at the University of Maryland, she had the opportunity to take a voice over class with Tony Oliver from Bang Zoom recording studios. After the class, Tony told her that she had real potential as a voice actress. She decided that instead of pursuing acting in New York after graduating college, she would move to Los Angeles to pursue voice acting opportunities there. She applied for an internship at Bang Zoom, was accepted, and began to learn about the voice over industry during her time there. This eventually gave her the opportunity to start auditioning for voice over work. As she repeatedly demonstrated her ability to perform characters at a professionally competitive level, she gained access to more voice over opportunities which allowed her to pursue union voice over work and to eventually land an agent.
I enjoy talking with Amanda about her journey because like me, she was a very shy child. She was not gregarious and outgoing as most people expect actors to be. Instead, what drove her to perform was the desire to bring characters and stories to life, not to get attention from others. She understood that in order to achieve continuing success as a professional actor, she had to apply herself diligently to doing the “boring work” as she puts it of being able to give consistently believable performances as well as being reliable and easy to work with. She also did her best to network with fellow actors and reach out to studios to market her skills to them. She even emailed yours truly back in 2009 when she took an acting class with a classmate of mine from Graduate Acting School. My classmate had suggested that Amanda reach out to me directly to ask about the voice over industry in LA! Amanda’s ability to be courageous in connecting with industry professionals coupled with her sustained commitment to honing her acting skills has truly served her well and I’m eager to share her story with you!
VAM 179 | Interview with Feodor Chin, Part 2
Welcome to episode 179 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
This is the second and final part of my interview with Feodor Chin. You can hear Feo’s voice over work in games like Overwatch, Ghosts of Tsushima, League of Legends, and World of Warcraft: Mists of Pandaria. He’s worked on the Regular Show for Cartoon Network, and on-camera he’s worked on TV shows such as Nash Bridges, The Mindy Project, and Jane the Virigin. He’s also narrated or contributed narration to over 100 different audiobooks!
In the previous episode, Feo outlined the steps he took to become a professional actor. There was no single moment when he “broke into show business”. Instead, Feo diligently studied to improve his acting skills and then consistently took the actions necessary to find acting opportunities. This included regularly marketing his skills to producers and casting directors who were hiring actors. This is the unglamorous homework that it takes to book regular work as an actor. No one in the industry suddenly discovers you and then paves a path to success for you. If you want to get paid to voice act, you need to master your art, research your industry, and then market your professionally competitive skills to producers who are looking to hire top notch acting talent for their projects. Feo never shied away from putting in all the behind-the-scenes work that was necessary to help him become a working actor both in voice over and on-camera.
In the final part of our discussion, I ask Feo what inspired him to become a performer in the first place. In the previous episode, Feo had mentioned that in high school, he had seen Dustin Hoffman’s performance as Willy Loman in the movie, Death of a Salesman. Hoffman’s acting had made a huge impression on Feo, so in this episode, I ask Feo to outline in more detail what exactly was so compelling about that performance. Feo explains that after watching Hoffman perform, he became fascinated with diving deep into the emotional life of a character. He talks about the satisfaction he gets from fully embodying a character, especially when a character’s psychology is incredibly rich or nuanced.
After that, we discuss Feo’s background in improv and sketch comedy. He explains to me the differences between full improvisational performances and the sketch comedy writing that he works on most often. We then talk about how we both apply our improv background to the challenges we face as voice actors, especially when we’re given very little information about a character or the story they come from, and yet are still expected to deliver authentic and believable performances. We also discuss the challenges Asian-American actors face in the entertainment industry and how Asian representation in media has changed over the past 20 years or so. We wrap up our discussion with Feo’s advice to the aspiring voice actor, and how important it is to be open to different career opportunities because you never know where you’re going to find success.
VAM 178 | Interview with Feodor Chin, Part 1
Welcome to episode 178 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the first part of my interview with voice actor, film actor, writer, comedian, and all around wonderful guy, Feodor Chin. You may be familiar with Feo’s voice over work as Mudmug in World of Warcraft: Mists of Pandaria, Harunobu Adachi in Ghosts of Tsushima, Lee Sin in League of Legends, and one of my personal favorites, Zenyatta in Overwatch. In animation he’s worked on Cartoon Network’s Regular Show and on-camera he’s worked on TV shows such as Nash Bridges, The Mindy Project, and Jane the Virigin. As of this episode he’s also narrated or contributed narration to over 100 different audiobooks! Feo has worked as a performer in so many different mediums and he brings a great perspective to the challenges of sustaining a career as a working actor.
In this episode, I begin by asking Feo how he got his start as an actor. When he was in high school, Feo saw Dustin Hoffman’s performance as the character Willie Lowman in the movie adaptation of Arthur Miller’s play, Death of a Salesman. Feo was so fascinated by Hoffman’s ability to transform into a different character that he wanted to explore that sort of transformational acting himself. So he decided to pursue acting in any way he could. He started taking drama classes and auditioning for the plays at his school. He also joined his school’s forensics and debate team in order to gain more experience with public speaking.
When it was time for him to apply to college, Feo had to balance his personal desire to pursue acting with his family’s expectations. Feo grew up in San Francisco and his family wanted him to attend college somewhere in his home state of California. They also hoped that Feo would major in a subject that would serve as a good foundation for a financially stable career such as being a doctor or a lawyer. In an attempt to satisfy both his parent’s desires and his own, Feo applied and was accepted to UCLA, initially as a design major. Not long after his matriculation at UCLA, the school dissolved the design department so Feo switched his major to communications. Attending college in Los Angeles allowed him to explore acting possibilities there as well as to build up a network of friends that would be helpful to his career in the future. By majoring in communications instead of acting, he mollified his parents’ concerns, while at the same time giving himself the opportunity to take as many acting classes as possible.
After graduating college, Feo moved home to San Francisco to explore acting opportunities in the bay area. He spent many years there taking the time to build up his skills and his resume until he felt that he could compete in the entertainment industry in Los Angeles. I advised my listeners to do the same way back in episode 18 of the podcast where I suggest that it’s wise to exhaust all of the acting opportunities in your local area first before moving to a bigger marketplace! Feo moved to LA in August of 2001 and has been a working actor ever since.
What I love about Feo’s journey is how practically minded it is. Feo was willing to put in the time and effort to do unglamorous things like looking for auditions in trade newspapers, printing and mailing out headshots and resumes, and diligently following up with casting directors to keep them aware of his talents and his marketability. He understood that succeeding as an actor didn’t mean suddenly getting discovered by some casting director or producer. Instead he did his homework consistently until he was able to create an acting career for himself. It’s wonderful to hear from an accomplished journeyman actor like him and I hope you find his insights as practical and useful as I have!
VAM 177 | Interview with Jennifer Hale, Part 2
Welcome to episode 177 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with the Goddess of Video games, Jennifer Hale! I joked with Jennifer about that nickname in the last episode, but all joking aside, it’s true that Jennifer holds the Guinness World Record for being the most prolific voice actress in video games! You may be familiar with her work in games like Mass Effect, Metal Gear Solid, Halo, Star Wars: Knights of the Old Republic, Ratchet and Clank: Rift Apart, and Overwatch! In animation, she’s worked on Avatar: The Last Airbender, the Legend of Korra, Wolverine and the X-men, as well as voice matching Cinderella in numerous Disney animated shows and games.
In the first part of our interview, Jennifer described how she became an actor. If you’ve already listened to the previous episode, you know how much hard work she put in to pursuing her acting career. She made sure to take advantage of every performance opportunity that came her way, even if it meant working behind the scenes! All of that experience was invaluable to her as she pursued her acting goals. While from the outside it may seem like her journey was very serendipitous, it was also a demonstration of the classic aphorism that luck is what happens when preparation meets opportunity. Jennifer was constantly striving to improve her skills so that when opportunities came her way, she was able to capitalize on them fully.
As we continue our conversation in this episode, we discuss how to nurture your own internal voice of inspiration. Jennifer faced many difficulties growing up and she didn’t always have someone with more experience to advise or guide her. This meant that she had to nurture in herself the ability to find her own way through life’s challenges. This internal guidance has served her well and in this segment she shares what she does to help her listen to the quiet voice inside that’s always doing its best to lead her to happiness and satisfaction. We also talk extensively about money and finances. It’s always been important to Jennifer to have mastery over her own financial well being. While many actors shy away from learning about economics, Jennifer embraces the subject whole heartedly. It’s admirable how she is able to demonstrate her mastery not only in the discipline of acting, but also in the world of business. She shares with me how she approaches financial literacy and how important it is to smash the false dichotomy that actors can’t be good with money or that business people can’t be creative. We wrap up our discussion with Jennifer’s very clear and specific advice to the aspiring voice actor.
Jennifer definitely has some heartfelt wisdom to impart in this episode and I’m eager to share her insights with you!
As I mention in the episode, Jennifer has two websites that offer more information and assistance.
One is her Patreon page which helps with financial education called the Haven which you can access at the link below:
https://www.patreon.com/jenniferhale
The other is SkillsHub.life, an online community by actors and for actors that allows members to access working creators and entertainment industry professionals who offer short, customized coaching opportunities to help you address a variety of topics, from improving your artistry, to managing your business strategy.
I hope you find those websites useful!