Welcome to episode 117 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

Welcome to the first part of my interview with a woman who seems to have so many different abilities that it’s difficult to know quite how to categorize her! America Young has worked as a voice actress, an on-camera actress, a commercial actress and a stunt performer in addition to directing and producing her own films! She’s been working in the entertainment industry in one form or another since she was 6 years old! Her breadth of experience is truly astounding and I could spend multiple episodes just talking about the various projects she’s worked on. However, for the purposes of this podcast, I decided to focus on America’s voice acting resume and how she was able to translate her theatrical and stunt experience into becoming a motion capture actress.

One of the most interesting developments in the entertainment industry in the past decade or so has been the incorporation of motion capture performances into films and video games. Motion Capture, also called Performance Capture, is a means of recording an actor’s performance not on film, but digitally inside the virtual 3D space of a computer. This allows animators to then manipulate that performance and use it to bring characters to life in films and video games.

Motion Capture is utilized extensively in the video game industry to help animate characters for gameplay. It’s also used to create in-game cinematics. More and more actors are being asked not only to voice a character in a video game, but to supply a physical performance for that character as well. Since this is such a new and developing niche, I felt it was important to share with my audience what it takes to work in the world of Motion Capture.

While there are certain techniques specific to motion capture that you definitely must master in order to be successful, motion capture is still acting; it requires the same solid acting skills that any performance medium does. Therefore, in the first part of this interview, America and I discuss her background as a performer. We cover what inspired her to pursue acting, what challenges she faced early in her career, and how she was able to break into the industry. Following America’s journey towards becoming a professional actress in film and voice over is very enlightening. It will help you understand the foundational skills you as a voice actor need to develop in order to be an effective Motion Capture performer. That way you can be prepared when the opportunity arrises!

Download Voice Acting Mastery Episode #117 Here (MP3)

VAMFR 011 | Marketing and Self-Promotion for Voice Actors, Part 3

Welcome to episode 11 of the Voice Acting Mastery: Field Report podcast!

In this episode our correspondent, DanWill McCann, concludes his special report on how to market and promote yourself as a voice actor!

As was mentioned in parts 1 and 2 of this report, while attending a Los Angeles area convention called Wondercon, DanWill was able to ask several talented and successful voice actors about how they approach these topics. They were generous enough to share their insights, and DanWill found their methods and stories very valuable. In part 1 of this report, DanWill discussed business cards, websites, and the importance of both acting training and diligent participation in the industry. In part 2, he discussed social media, its rising impact on the voice over world, and some best practices for how to use it.

In part 3, DanWill would like to address the subject of agents and their role in getting your name out there, as well as what kinds of self-promotion and networking can be done at conventions like WonderCon. He’s also going to talk about demos, which are a major component of every successful voice actor’s marketing strategy.

Once again we’re lucky to hear from five impressive voice acting talents, including Dino Andrade, who recently announced he’ll be voicing the Scarecrow once again in Batman: Arkham Underworld, and Rikki Simons, who played the lovable Gir from Invader Zim. David Sobolov lends his voice to Draxx in Marvel’s animated series, Guardians of the Galaxy, and he was kind enough to speak with us as well. DanWill will also share advice from Sandy Fox, the voice of the Black Lady and Sailor Chibi Moon from Sailor Moon Crystal, and Lex Lang, an ADR expert on voice matching and creature noises whom you may have heard in recent movies like Jurrasic World and Deadpool. So here we go!

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #11 Here (MP3)

Welcome to episode 113 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I want to address a common misconception about voice acting, one that often causes a lot of anxiety and self-doubt in new and aspiring voice actors. There’s a widespread belief that in order to truly be successful as a voice actor, you need to be able to perform dozens if not hundreds of different voices. A common question I hear from first-timers is, “How do I learn to change my voice more?” or “How do I expand my range of characters?” Everyone seems to want to play a large number of radically different-sounding characters, and it’s seen as a particular badge of honor if “no one can recognize that it’s you” playing those characters. On one hand it’s easy to understand why it might seem really important to be this kind of vocal chameleon. After all, you hear about it a lot. Often the voice actors that get the most media acclaim are those who have the ability to change the sound of their voice so radically that it is hard to tell it’s the same person playing different characters. Mel Blanc is the most obvious example of this. Mel was the voice of almost every male character in the classic Looney Toons, including Bugs Bunny, Daffy Duck, Yosemite Sam and many others. In more recent years, actors like Frank Welker, Billy West and Jim Cummings are often heralded for their ability to be vocal chameleons and to differentiate the sound of their characters drastically.

When faced with such impressive examples of vocal transformation, many beginning voice actors believe that the most important skill they must develop is the ability to modify the sound of their voice. They feel that they must be the voice actor of a hundred or a thousand voices and they worry that if they can’t achieve that vocal flexibility, that they’ll never be professionally competitive in the industry. This can lead to them spending the majority of their time trying to find techniques to change the sound of their voice, rather than focusing on the highest priority in voice acting: the acting.

While being able to change the sound of your voice is certainly a useful and marketable skill, being a vocal chameleon is not nearly as important as being a capable actor. It is far more important to have the emotional flexibility to identify with a wide range of character psychologies than it is to be able to disguise your natural speaking voice. Ideally, a consummate voice actor strives for both and can not only portray the nuances of a character’s psychology, but can also adjust their vocal instrument to sound appropriate as the character. But too often I see aspiring voice actors put all their focus on trying to change the sound of their voice, and not nearly enough attention on their ability to act well.

Another damaging aspect of believing that one needs to be a vocal chameleon is it can lead you to discount the greatest asset you have in your voice acting arsenal: your own natural voice. I’m going to spend this episode debunking the myth that you need to be a vocal chameleon, if only to free you from the creeping fear that your own voice is not enough. I’m also going to give you a way to approach vocal flexibility that is based on the emotional believability of your acting, rather then trying to use technical tricks to change what you sound like. The fact is, any vocal transformation that is not rooted in the psychology of a character will not sound believable anyway, so the more you focus on the acting, the more believable your vocal transformations will be. Let’s get started.

Download Voice Acting Mastery Episode #113 Here (MP3)

VAMFR 008 | Interview with Erika Harlacher, Part 2

Welcome to episode 8 of the Voice Acting Mastery: Field Report podcast!

In this episode our correspondent, Tom Bauer, concludes his interview with the prolific and mult-talented Erika Harlacher.

Erika has been featured in a number of Anime titles, including roles such as Princess Asseylum Vers Allusia in Aldnoah.Zero and  Sadira in Killer Instinct.

In the previous episode, Erika and Tom talked about how she got her start in voice acting and some of the struggles she had coping with her self-doubt. Erika has found that being patient with herself and developing a strong, emotional support system of friends and colleagues has helped give her the confidence she needs when performing in the booth.

In this episode, Tom and Erika discuss the importance of taking classes as well as practicing on your own in order to develop and expand your skill set as an actor. If you are pursuing a professional voice acting career, it is vitally important for you to have faith in your acting abilities, especially when you are called on to perform in the different realms of Voice Over such as Anime and Video games. Erika also talks about her plans for the future as well as giving some practical advice for those wanting to get into Voice Over. Let’s hear what she has to share!

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #8 Here (MP3)

VAMFR 007 | Interview with Erika Harlacher, Part 1

Welcome to episode 7 of the Voice Acting Mastery: Field Report podcast!

In this episode our correspondent, Tom Bauer, begins his interview with the prolific and mult-talented Erika Harlacher.

Since this is Tom’s first episode for the Voice Acting Mastery: Field Report, he wanted to interview a very gifted voice actor who is just starting her voice acting journey and making leaps and bounds in her career. Erika has been featured in a number of Anime titles, including roles such as Princess Asseylum Vers Allusia in Aldnoah.Zero and Ami Kawashima in Toradora! She’s also performed in video games, playing characters like Kyoko Kirigiri in Dangan Ronpa: Trigger Happy Havoc and Sadira in Killer Instinct.

In this episode, Erika talks about how she embraced the creative side of her personality and the steps she took to break into voice acting. Tom and Erika discuss at length the struggles she continues to face as an artist as well the importance she places on finding a support system to help her stay true to herself and pursue her dreams. We’re very grateful to Erika for sitting down with Tom and sharing her experience as an up and coming voice actor. As you listen to their interview, I think you’ll agree that her positivity and energy are infectious!

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #7 Here (MP3)

VAMFR 006 | Interview with Matthew Mercer, Part 2

Welcome to episode 6 of the Voice Acting Mastery: Field Report podcast!

In this episode our correspondent, DanWill McCann, finishes his interview with the prolific and mult-talented Matthew Mercer.

Matthew has given life to characters in shows like Attack on Titan and Kill La Kill as well as video games like Fallout 4.  He has also made some amazing web content, like the Geek & Sundry show Critical Role. The show consists of a live broadcast of an actual Dungeons & Dragons role playing game, played by famous Voice Actors who bring their characters to life with deep commitment and believability.

He has also produced several web based projects through online crowd funding, including such shows as School of Thrones and Muzzle: the Musical, the latter of which Matthew wrote himself.  Matthew was gracious enough to share with us his experience and advice for any of you who might have your own pet projects that you hope to fund and create.  DanWill was inspired by his accomplishments and has learned several good tips from Matthew. Chances are you will as well. But enough setup, here’s Matthew Mercer to tell you himself!

DanWill mentions two of Matthew’s web shows in the podcast. Here are direct links to them:

Critical Role can be found at:
http://geekandsundry.com/shows/critical-role/

Muzzled: the Musical is at:

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #6 Here (MP3)